Material relating to the Anglican Board of Mission (previously the Australian Board of Mission) and their work in Australia with Aboriginal people, Polynesia, Melanesia and east and southeast Asia; the Church Missionary Society in Sydney, Africa and Pakistan; National Missionary Council of Australia and the South American Missionary Society.

Order of service and transcript of Governor-General’s address at the opening of the Cash memorial chapel, Moore College 20th November 1950; pamphlet describing the memorial vessels; Pamphlets relating to the Harbour Bridge, several issues of Christ Church Lavender Bay Parish Paper; thankyou card from Annie W. Cash following Frank Cash’s death; Parables of the Sydney Harbour Bridge (1930); collected books and pamphlets relating to photographic processes.

Pamphlets, news cuttings, parish magazines and photographs relating to parishes in the Diocese of Sydney

Contains black and white prints of Ernest Cameron with Archbishop Mowll, the procession through Sydney to welcome the Archbishop of Canterbury Geoffrey Fisher, meetings of the Mothers' Union at Gilbulla Conference Centre and various Sydney clergymen.

Rev. Dr E.F.N. (Frank) Cash was the rector of Christ Church Lavender Bay and a keen amateur photographer. He was the only amateur photographer to be permitted onto the construction site of the Sydney Harbour Bridge, and took photographs throughout the building process. His photographs also include images of his family: his wife Elizabeth, son John who joined the RAAF and was killed in action in 1941, and three daughters Mary, Miriam and Elizabeth. He also took many pictures of trees, native animals and rock formations, particularly around the Glen Innes area and inside Jenolan Caves. There are also a small number of photos of the Fairbridge Farm School for child migrants in Molong, NSW.
A large number of the slides are copies of paintings and illustrations from books, as well as hymn lyrics.

London Bridge, The City of London (detail of engravings, Victoria and Albert Museum, 528x448mm);
The Australian presents a folio of historic maps of Australia (The Australian, State Library of NSW, 540x440mm);
print of Tom Roberts 'Opening of parliament, 1901' (705x420mm);
'Australian Gold Diggings, c. 1855' from the painting attributed to Edwin Stocqueler;
'Vue du Phare du Port Jackson' reproduced from hand-coloured lithograph;
'A complete map of the southern continent' by Emanuel Bowen (National Library of Australia, 570x462mm);
'Sydney looking south from Flagstaff Hill' print of watercolour by Major James Taylor;
'Sydney Cove 1794' print of oil painting by T. Watling;
'Circular Quay' print of watercolour by Halsted, 'Fort Macquarie from Pinchgut';
print of watercolour by F. Garling (State Library of NSW, 532x432mm);
5 engraved panoramas of London (Greater London Council, 830x350mm);
'The big picture' Tom Roberts colour print;
'The city of Sydney' from a chromolithograph by M.S. Hill 1888 (National Library of Australia);
'A new plan of the settlements in New South Wales' (colour reproduction, 355x280mm);
'Frigate and cutter' by T. Butterworth - From the Science Museum Collection (colour reproduction, 490x350mm);
'Vue du phare du Port Jackson (Nouvelle Galles du Sud)' - Louis de Sainson, reproduced from a hand-coloured lithograph in the National Library of Australia (520x410mm);
'Adoration des Mages' sculpture by Gislebertus, Cathedral d'Autun, France (photograph, 500x400mm);
'Captain James Cook' by Nathaniel Dance. Reproduction of painting in the National Maritime Museum. (740x480mm);
'Portrait of the writer Erasmus in Rotterdam, 1523' Hans Holbein. Reproduction of painting in the Kunstmuseum, Basel. (730x575mm).